Andrea Timai Un Official Fan Site Tribute

Andrea Timai : This Is An Un Official Fan Site Tribute
Andy Private
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Movie Title Year Distributor Notes Rev Formats Andy Private: Andy and Her Super Dane 2004 Studio Martis B.V. Andy Private: Andy And Violett At A Horse Farm 2006 Studio Martis B.V. Andy Private: Andy At The Farm 2 2007 Studio Martis B.V. Pee Andy Private: Another Country Life 2006 Studio Martis B.V. Pee Andy Private: Buldog Power 2004 Studio Martis B.V. Andy Private: Dane Diaries 2004 Studio Martis B.V. Bald Andy Private: Deep Dane Fucking 2004 Studio Martis B.V. Andy Private: Drinking Dog Cum 2004 Studio Martis B.V. Andy Private: Dripping Dogs 2005 Studio Martis B.V. Andy Private: Fisting and Horse Fucking 2005 Studio Martis B.V. Fisting Andy Private: Fisting Girls And Doggie Cum 2006 Studio Martis B.V. Andy Private: Horse Me 2007 Studio Martis B.V. Bald Andy Private: I Love My Three Dogs 2005 Studio Martis B.V. Andy Private: Million Dollar Dog 2004 Studio Martis B.V. Andy Private: My Dane, My Hero 2004 Studio Martis B.V. Andy Private: My Pony Time 2005 Studio Martis B.V. Andy Private: Pony Queen 2004 Studio Martis B.V. Andy Private: Private Dog Show 2004 Studio Martis B.V. Andy Private: Snakes Are Lovely 2004 Studio Martis B.V. Andy Private: Super Dane Fucking 2004 Studio Martis B.V. Bald Andy Private: Top Dog 2006 Studio Martis B.V. Andy Private: Wild Horse Things 2004 Studio Martis B.V.
Blue Angel (II) 2001 DBM Video Fisting Ero: Extrem Magazin 10 1999 DBM Video Bald Fisting MastOnly Ero: Extrem Magazin 13 2000 DBM Video Bald Fisting Extreme Objects: I Want It All 2001 Studio Martis B.V. LezOnly Extreme Objects: Just Fill My Holes 2001 Studio Martis B.V. Faust Verkehr ...und deine Fotze wird platzen 2006 MJP LezOnly Bald Fisting Fist-WG 2001 Magma Bald Fisting Forgatas testkozelben 1999 LuXx Video NonSex Gefistete Monsterfotzen 3 2000 XXL Fisting Home Alone 2001 Studio Martis B.V. MastOnly DRO Pregnant Lust: The Vintage Collection 2002 Panda Home Video Violett's Foot Lovers: Lesbo Soles: Violett - Andy - Cheela 2006 Panda Home Video LezOnly Violett's Footmaniacs: Footsters 2009 Panda Home Video LezOnly Violett's Teen Bitches: Striped Socks: Andy 2004 Panda Home Video MastOnly energy taken from its internal energy storage; once that is depleted, the agent dies. Consumption of resource, as well as other agents after defeating them, yields an increase in the energy storage. Reproduction is modeled as being asexual while the offspring receive half the parental energy. Agents are also equipped with sensory inputs that allow them to detect resources or other members within a parameter[clarification needed] in addition to its own level of vitality. As for the phenotype markers, they do not influence behavior but solely function as indicator of 'genetic' similarity. Heredity is achieved by having the relevant information be inherited by the offspring and subjected to a set rate of mutation.

The objective of the investigation is to study how the presence of phenotype markers affects the model's range of evolving cooperative strategies. In addition, as the resource available in this 2D environment is capped, the simulation also serves to determine the effect of environmental carrying capacity on their emergence. One previously unseen strategy is termed the "raven". These agents leave cells with in-group members, thus avoiding intra-specific competition, and attack out-group members voluntarily. Another strategy, named the 'starling', involves the agent sharing cells with in-group members. Despite individuals having smaller energy storage due to resource partitioning, this strategy permits highly effective defense against large invaders via the advantage in numbers. Ecologically speaking, this resembles the mobbing behavior that characterizes many species of small birds when they collectively defend against the predator. In conclusion, the research claims that the simulated results have important implications for the evolution of territoriality by showing that within the alife framework it is possible to "model not only how one strategy displaces another, but also the very process by which new strategies emerge from a large quantity of possibilities".[10] Work is also underway to create cellular models of artificial life. Initial work on building a complete biochemical model of cellular behavior is underway as part of a number of different research projects, namely Blue Gene which seeks to understand the mechanisms behind protein folding. An automaton (/??'t?m?t?n/; plural: automata or automatons) is a relatively self-operating machine, or a machine or control mechanism designed to automatically follow a predetermined sequence of operations, or respond to predetermined instructions.[1] Some automata, such as bellstrikers in mechanical clocks, are designed to give the illusion to the casual observer that they are operating under their own power. Since long ago the term is commonly associated with automated puppets that resemble moving humans or animals, built to impress and/or to entertain people. Animatronics are a modern type of automata with electronics, often used for the portrayal of characters in films and in theme park attractions. Contents 1 Etymology 2 History 2.1 Ancient 2.2 Medieval 2.3 Renaissance and early modern 2.4 Modern 3 In education 4 Clocks 5 See also 6 Further reading 7 Notes 8 References 9 External links Etymology The word "automaton" is the latinization of the Greek a?t?µat??, automaton, (neuter) "acting of one's own will". This word was first used by Homer to describe automatic door opening,[2] or automatic movement of wheeled tripods.[3] It is more often used to describe non-electronic moving machines, especially those that have been made to resemble human or animal actions, such as the jacks on old public striking clocks, or the cuckoo and any other animated figures on a cuckoo clock. History Ancient The book About automata by Hero of Alexandria (1589 edition) There are many examples of automata in Greek mythology: Hephaestus created automata for his workshop;[4] Talos was an artificial man of bronze; Daedalus used quicksilver to install voice in his moving statues; King Alkinous of the Phaiakians employed gold and silver watchdogs.[5][6] The automata in the Hellenistic world were intended as tools, toys, religious idols, or prototypes for demonstrating basic scientific principles. Numerous water powered automata were built by Ktesibios, a Greek inventor and the first head of the Great Library of Alexandria, for example he "used water to sound a whistle and make a model owl move. He had invented the world's first "cuckoo" clock".[a] This tradition continued in Alexandria with inventors such as the Greek mathematician Hero of Alexandria (sometimes known as Heron), whose writings on hydraulics, pneumatics, and mechanics described siphons, a fire engine, a water organ, the aeolipile, and a programmable cart.[7][8] The Antikythera mechanism from 150–100 BC was designed to calculate the positions of astronomical objects. Complex mechanical devices are known to have existed in Hellenistic Greece, though the only surviving example is the Antikythera mechanism, the earliest known analog computer.[9] The clockwork is thought to have come originally from Rhodes, where there was apparently a tradition of mechanical engineering; the island was renowned for its automata; to quote Pindar's seventh Olympic Ode: The animated figures stand Adorning every public street And seem to breathe in stone, or move their marble feet. However, the information gleaned from recent scans of the fragments indicate that it may have come from the colonies of Corinth in Sicily and implies a connection with Archimedes. According to Jewish legend, Solomon used his wisdom to design a throne with mechanical animals which hailed him as king when he ascended it; upon sitting down an eagle would place a crown upon his head, and a dove would bring him a Torah scroll. It is also said that when King Solomon stepped upon the throne, a mechanism was set in motion. As soon as he stepped upon the first step, a golden ox and a golden lion each stretched out one foot to support him and help him rise to the next step. On each side, the animals helped the King up until he was comfortably seated upon the throne.[10] In ancient China, a curious account of automata is found in the Lie Zi text, believed to have originated around 400 BCE and compiled around the fourth century CE. Within it there is a description of a much earlier encounter between King Mu of Zhou (1023-957 BCE) and a mechanical engineer known as Yan Shi, an 'artificer'. The latter proudly presented the king with a very realistic and detailed life-size, human-shaped figure of his mechanical handiwork: The king stared at the figure in astonishment. It walked with rapid strides, moving its head up and down, so that anyone would have taken it for a live human being. The artificer touched its chin, and it began singing, perfectly in tune. He touched its hand, and it began posturing, keeping perfect time...As the performance was drawing to an end, the robot winked its eye and made advances to the ladies in attendance, whereupon the king became incensed and would have had Yen Shih [Yan Shi] executed on the spot had not the latter, in mortal fear, instantly taken the robot to pieces to let him see what it really was. And, indeed, it turned out to be only a construction of leather, wood, glue and lacquer, variously coloured white, black, red and blue. Examining it closely, the king found all the internal organs complete—liver, gall, heart, lungs, spleen, kidneys, stomach and intestines; and over these again, muscles, bones and limbs with their joints, skin, teeth and hair, all of them artificial...The king tried the effect of taking away the heart, and found that the mouth could no longer speak; he took away the liver and the eyes could no longer see; he took away the kidneys and the legs lost their power of locomotion. The king was delighted.[11] The 5th-century BC Mohist philosopher Mozi and his contemporary Lu Ban are attributed with the invention of artificial wooden birds (ma yuan) that could successfully fly, according to the Han Fei Zi.[12] Other notable examples of automata include Archytas' dove, mentioned by Aulus Gellius.[13] Similar Chinese accounts of flying automata are written of the 5th century BC Mohist philosopher Mozi and his contemporary Lu Ban, who made artificial wooden birds (ma yuan) that could successfully fly according to the Han Fei Zi and other texts.[12] Medieval Text document with red question mark.svg This section possibly contains inappropriate or misinterpreted citations that do not verify the text. Please help improve this article by checking for citation inaccuracies. (January 2012) (Learn how and when to remove this template message) The manufacturing tradition of automata continued in the Greek world well into the Middle Ages. On his visit to Constantinople in 949 ambassador Liutprand of Cremona described automata in the emperor Theophilos' palace, including "lions, made either of bronze or wood covered with gold, which struck the ground with their tails and roared with open mouth and quivering tongue," "a tree of gilded bronze, its branches filled with birds, likewise made of bronze gilded over, and these emitted cries appropriate to their species" and "the emperor's throne" itself, which "was made in such a cunning manner that at one moment it was down on the ground, while at another it rose higher and was to be seen up in the air."[14] Similar automata in the throne room (singing birds, roaring and moving lions) were described by Luitprand's contemporary, the Byzantine emperor Constantine Porphyrogenitus, in his book

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