elisabeth graine Un Official Fan Site Tribute

elisabeth graine : This Is An Un Official Fan Site Tribute
Dorian Gray Elizabeth Graine
Porn Queen Actress Superstar

Les Bijoux de famille 1974, Dir. Jean-Claude Laureux DVD available (As Dorian Gray (Elisabeth Graine in German release) plays Marianne) Le Bouche-trou 1976, Dir. Jean-Claude Roy as Patrick Aubin Notes available (plays the doctor's wife) Der Chauffeur von Madame alternative title for Les Bijoux de famille DVD available (As Dorian Gray (Elisabeth Graine in German release) plays Marianne) Confidences très intimes 1979, Dir. Jean-Claude Roy as Patrick Aubin Notes available (archive footage from Le Bouche-trou) Corps brûlants 1976, Dir. Bart Caral DVD available Notes available (plays Nadine, nude only) La Doctoresse du sexe alternative title for Sexe clinique pour membres vigoureux Notes available (archive footage, probably from Le Bouche-trou) Emmanuelle et les jeux interdits alternative title for Confidences très intimes Notes available (archive footage from Le Bouche-trou) Esperienze pornografiche alternative title for Le Bouche-trou Notes available (plays the doctor's wife) Family Jewels alternative title for Les Bijoux de famille (As Dorian Gray (Elisabeth Graine in German release) plays Marianne)
Fantasia érotique alternative title for Fantasias sexuelles Notes available (archive footage) Fantasias sexuelles 1976, Dir. Jean-Claude Roy as Patrick Aubin Notes available (archive footage) Femmes à hommes alternative title for Le Bouche-trou Notes available (plays the doctor's wife) Illusions Within Girls alternative title for Le Pensionnat et ses intimités Notes available (nude only, plays a fanatically religious student) Joelle - hona Bland Hannar alternative title for Le Bouche-trou Notes available (plays the doctor's wife) Life Show Girl alternative title for Fantasias sexuelles Notes available (archive footage) Les Pénétrables alternative title for Le Bouche-trou Notes available (plays the doctor's wife) La Pénétrée alternative title for Le Bouche-trou Notes available (plays the doctor's wife)

Le Pensionnat et ses intimités 1975, Dir. René Gainville as Catherine Balogh Notes available (nude only, plays a fanatically religious student) Der Saft muss raus... alternative title for Corps brûlants DVD available Notes available (plays Nadine, nude only) Der Saft muß raus. alternative title for Corps brûlants Notes available (plays Nadine, nude only) Sexe clinique pour membres vigoureux 1991, Dir. Pierre B. Reinhard as Mike Strong Notes available (archive footage, probably from Le Bouche-trou) Un Taxi pour que j'te broute alternative title for Fantasias sexuelles Notes available (archive footage) Try It, You'll Like It alternative title for Les Bijoux de famille (As Dorian Gray (Elisabeth Graine in German release) plays Marianne) Vilda Sexorgier På Hotell Intim alternative title for Les Voyeuses Notes available (archive footage) Les Voyeuses 1978, Dir. Pierre Unia as Reine Pirau Notes available (archive footage) section is called the clerestory. This architectural form is so named because it was commonly used by ancient Roman builders as the structure for secular basilicas used as halls for meetings, markets and as places of justice. Early Christian churches such as Santa Maria Maggiore, Rome, and San Apollinare in Classe have this form, which was adopted by Romanesque builders for their great abbeys and cathedrals, across Europe, such as Durham Cathedral, Abbey of Saint-Étienne, Caen, and Monreale Cathedral.[citation needed] During the Gothic period, most churches were built with a single aisle on each side of the nave, such as Salisbury Cathedral, but some had double aisles with the outer lower than the inner, such as Bourges Cathedral. In the South of France Gothic churches are sometimes just a single high, wide hall, with tall windows but no aisles, and the lower stage giving a robust fortified appearance, such as Albi Cathedral. Gothic churches of the Germanic tradition, like St Stephen of Vienna, often have nave and aisles of similar height, without clerestory, and are called Hallenkirche.[citation needed] Internally, the nave and choir are usually divided horizontally into three stages, the arcade, the triforium gallery and the clerestorey.[citation needed] This arrangement is usual in England where it can be seen at Salisbury, Lincoln, and Ely.[citation needed] In some French Cathedrals, such as Laon and the nave of Rouen, there is a fourth stage, a shallow tribune gallery between the triforium and the clerestory.[citation needed] In the transepts of Notre-Dame, the wall above the triforium gallery is pierced with rose windows. In later Gothic churches, the vertical members in the tracery of galleries and clerestory may merge into a single decorative unit where the stages are present but not clearly defined, as at Saint-Ouen at Rouen and the choir of Gloucester Cathedral in England.[citation needed] In the major Gothic churches of Italy, triforium galleries are most often found in churches influenced by the architecture of Normandy, and were used at abbeys of women, as a space for the nuns to attend services.[citation needed] Elsewhere, many churches such as Florence Cathedral and the Abbey Church of Santa Maria Novella, had an interior elevation of two stages, the arcade and clerestory.[citation needed] Elevations of Gothic churches in France, England, and Italy Notre Dame de Paris, showing the nave and double aisles; vault and flying buttresses. Notre Dame de Paris. Interior elevation of transept shows four stages- arcade, triforium gallery, tribune with rose windows and clerestory. Left- a later stage with larger windows. Amiens Cathedral. Three stages- tall arcade, small gallery, and tall, traceried clerestory. Saint Ouen, Rouen, left; Sees Cathedral, right. Saint Ouen shows a highly unified scheme wher the triforium merges visually with the clerestory. Poitiers Cathedral, France. Hall church with high aisles and no clerestory. Large aisle windows between large square buttresses. Lincoln Cathedral, elevation of the east end of typically English form with single aisles framing the central choir. Lincoln Cathedral. The proportions are low and wide compared to Notre Dame, the arcades are high and there are three stages. Ely Cathedral choir. Three stages, Decorated Gothic, but with proportions set by the earlier Norman nave. Exterior view shows windows into the high triforium arcade. Santa Maria Novella, Florence. Nave and aisle. Steep vaults and thick walls reduce the need for large external buttresses. Santa Maria Novella, Two stage elevation with small round windows. West front Ripon Minster – paired towers and Early English lancet windows This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Gothic architecture" – news · newspapers · books · scholar · JSTOR (April 2020) (Learn how and when to remove this template message) The façade of a large church properly referred to as the West Front, is generally designed to create a powerful impression on the viewer, demonstrating both the might of God and the might of the institution that it represents. One of the best known and most typical of such west fronts is that of Notre-Dame de Paris.[citation needed] To emphasise its importance, the west front may be of a powerful design, with towers, imposing portals, jutting buttresses, gables, windows and an array of sculpture.[citation needed] Central to the west front is the main portal, often flanked by additional doors, after the manner of Suger's west front at Saint-Denis.[citation needed] In England, the lateral doors may be present but relatively insignificant. In the arch of the central door, particularly in France, the tympanum, is often a significant piece of sculpture, most frequently Christ in Majesty or the Last Judgement.[citation needed] If there is a central doorjamb or a trumeau, then it frequently bears a statue of Jesus or the Madonna and Child if the dedication is to Mary.[citation needed] Figures in niches set into the mouldings around the portals. Above the main portal there is a large window which lights the nave. In France and Spain this is generally a rose window as at Notre-Dame de Paris and Burgos Cathedral.[citation needed] In Italy there is generally an untraceried ocular window as at Santa Maria Novella.[citation needed] In England, rose windows are rare and the west end is generally dominated by a single very large traceried window as at York Minster and Canterbury, while some Early English fronts retain rows of lancet windows as at Salisbury and Ripon Cathedrals.[citation needed] The west front of most major French churches and many English, Spanish and German ones have two towers, which can express an enormous diversity of form and decoration.[32][33][page needed] In Germany and Eastern Europe there may be a single tall tower at the western end as at Freiburg Minster.[citation needed] In England, where the principle tower is usually over the crossing, the west front may be framed by large turrets.[citation needed] In Italy, with the exception of Milan Cathedral, the form of a Gothic west front is less strongly architectonic and sculptural than in other parts of Europe.[citation needed] The underlying structure may be brick, rather than stone, overlaid with a veneer of polychrome marble, and ornamented with marble sculpture and coloured mosaics as at Siena and Orvieto Cathedrals.[citation needed] West fronts Notre-Dame de Paris – deep portals, a rose window, balance of horizontal and vertical elements Burgos Cathedral – deep portals, rose window, elaborate openwork screen and spire Salisbury Cathedral – wide sculptured screen, lancet windows, turrets with pinnacles York Minster – shallow portal, very large traceried window, towers with pinnacles, vertical emphasis Brussels Cathedral – gabled portal, large window, emphasis on vertical elements. Cologne Cathedral – massive towers with very tall spires, completed

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