felicia tang Un Official Fan Site Tribute

felicia tang : This Is An Un Official Fan Site Tribute
felicia tang
Porn Queen Actress Superstar

PERFORMER AKA No known aliases BIRTHDAY October 22, 1977 (would be 42 years old) DATE OF DEATH September 11, 2009 ASTROLOGY Libra BIRTHPLACE Singapore YEARS ACTIVE 2004-2009 (Started around 27 years old)
Felicia Tang (born Felicia Lee on October 22, 1977 – September 11, 2009) was the stage name of an American actress and model[3] known for her work with Playboy TV,[2][5][6] calendars, internet sites, and import car shows. Contents 1 Early life 2 Career 3 Death 4 Partial filmography 5 References 6 External links Early life Tang was born in Singapore.[2][3][4][5][6] She moved to Perth, Western Australia, where she attended a girl's private Catholic school[5] for two years.[8] When she was 13 years-old, she moved with her family to Los Angeles, California.[2] She started modeling for fashion catalogs and bikini calendars at the age of 19,[5] while pursuing a course in marketing and business administration in college.

Career Tang made softcore appearances in adult videos for Peach DVD, including the titles Asian Fever, Hotel Decadence,[2] Sugar Daddy Wanted,[1][5] and Peach Ultra Vixens: Asians.[4][9] She appeared on Playboy TV multiple times[5][6] (such as on Naked Sports & 7 Lives Xposed[2]) and made appearances on other adult cable programs.[9] Her mainstream film appearances include uncredited roles in Rush Hour 2 (2001),[3][10] Cradle 2 the Grave and The Fast and the Furious (also 2001).[5][7][11] Tang started her own website (FeliciaTang.com) in 2002.[6] The site featured erotic material such as nude images, webcam, and film stills.[6] Tang blogged and chatted with members of the site, cultivating a friendly atmosphere with her readers.[6] A model who worked with Tang described her as "a bright, bubbly, kind, beautiful woman."[8] In 2003, she appeared in an erotic online video with Singapore-born television personality Tila Tequila.[3] The video featured the two nude models fondling each other in a swimming pool.[3][7] Tang closed the website in October 2008 and announced that she was retiring from modeling to pursue a career in real estate. All of the content on her website went offline in 2008.[3] Tang was a competitor on a pay-per-view strip poker TV tournament hosted by Carmen Electra.[5][12] Death In April 2009, she met Brian Lee Randone in Las Vegas.[5] He was a former pastor and reality show contestant[3] (on The Sexiest Bachelor In America in 2000),[5][6][13] and they started dating.[8] They had been living together for four months when Tang was found dead on September 11 at their house.[2][5][13] Randone was charged with murder and torture[3] and held for $2 million in bail.[2][5][9] Following her death, Tang's family released a statement reading: "Felicia loved life and lived it to its fullest. However, she was more than just a public figure. Felicia was above all a human being, a daughter, a sister, a friend to many who continue to love and honor her, as much in life and in her passing."[5][8] Randone's trial began on November 16, 2011.[14] The medical examiner stated that Tang was found with 320 wounds from blunt force trauma (not including bruises) and with high doses of the drug GHB in her system, together with trace amounts of cocaine. A witness testified that Tang had been a regular user of GHB for years, and that she had also used cocaine and/or crystal methamphetamine. The prosecution argued that Tang was forcibly smothered,[2][5] while the defense argued that she died from a GHB overdose and that the wounds were caused by falls and seizures related to GHB consumption. On December 9, 2011, Randone was found not guilty on both charges.[15][16] The trial attracted significant media attention, with the case dubbed "the preacher and the porn star",[6] and has had further media coverage in subsequent years.[17] The verdict surprised the prosecution; the presence of pulseless electrical activity in Tang's body was one detail presented at trial and cited in interviews with jurors as a reason to acquit.[17] Partial filmography The Fast and the Furious (2001) – Hot Chick (uncredited) Rush Hour 2 (2001) – High Roller Girl (uncredited) Cradle 2 The Grave (2003) – Pretty Girl (uncredited) 2007 Peach NonSex D Busted (IV) 2006 Peach NonSex Doctor Patient Privilege 2006 Peach NonSex O Eye Candy 2008 Peach NonSex Fanatasy Exchange Asia 2006 Peach NonSex Fantasies In Lace 2008 Peach NonSex D Girlfriends With Benefits 2009 Peach NonSex O Girls Of Peach 7 2009 Peach NonSex Heaven And Hell 2008 Peach NonSex DO Hollywood Hotties 2004 Peach NonSex D Hotel Decadence 2004 Peach NonSex 1 DO Jenna's Dream Dates 2004 Peach NonSex DO Peach Obsession: Felicia 2005 Peach NonSex DO Peach Ultra Vixens: Asians 2004 Peach NonSex DO Premium Label 2 2008 Peach NonSex Sugar Daddy Wanted 2006 Peach NonSex played a key role in popularizing Miami bass in the late 1980s and early 1990s. The group's 1986 release, The 2 Live Crew Is What We Are, became controversial for its sexually explicit lyrics. 1989's As Nasty As They Wanna Be, along with its hit single "Me So Horny", proved more controversial still, leading to legal troubles for both 2 Live Crew and retailers selling the album (all charges were eventually overturned on appeal).[2] For the better part of the mid-'80s and early '90s, DJs such as Luke Skyywalker's Ghetto Style DJs, Norberto Morales' Triple M DJs, Super JD's MHF DJs, Space Funk DJs, Mohamed Moretta, DJ Nice & Nasty, Felix Sama, DJ Spin, Ramon Hernandez, Bass Master DJs, DJ Laz, Earl "The Pearl" Little, Uncle Al, Ser MC, Raylo & Dem Damn Dogs, DJ Slice, K-Bass, Jam Pony Express and others were heavily involved in playing Miami bass at local outdoor events to large audiences at area beaches, parks, and fairs. Clubs in South Florida, including Pac-Jam, Superstars Rollertheque, Bass Station, Studio 183, Randolphs, Nepenthe, Video Powerhouse, Skylight Express, Beat Club and Club Boca, were hosting bass nights on a regular basis. Miami radio airplay and programming support was strong in the now defunct Rhythm 98, as well as WEDR and WPOW (Power 96). Contribution and promotion of Miami bass also came out of Orlando. 102 Jamz (WJHM), a prominent Orlando radio station in the late '80s, featured Miami bass and helped its popularity rise in and around Central Florida. Florida breaks was heavily influenced by Miami bass in addition to elements of house, and deep bass that eventually created "The Orlando Sound". Thus, Miami bass quickly became a Florida staple. 1990s By the mid-1990s, the influence of Miami bass had spread outside South and Central Florida to all areas of Florida and the Southern United States. In the mid-1990s, it saw a commercial and mainstream resurgence, with Miami bass influenced artists such as L'Trimm, 95 South, Tag Team, 69 Boyz, Quad City DJ's and Freak Nasty all scoring big Miami bass hits. Examples of these songs are "Whoomp! (There It Is)" by Tag Team in 1993,[7] "Tootsee Roll" by 69 Boyz in 1994,[8] "C'mon N' Ride It (The Train)" by the Quad City DJ's in 1996[9] and "Whoot, There It Is" by 95 South in 1993.[7] These songs all reached the top 20 on the Billboard Hot 100 chart and exposed Miami bass nationally. These artists generally used a Miami bass sound and production but did it in a far less explicit and far more accessible way than had been previously done by Campbell and the 2 Live Crew.[10] Miami bass is closely related to the electronic dance music genres of ghettotech and booty house, genres which combine Detroit techno and Chicago house with the Miami bass sound. Ghettotech follows the same sexually oriented lyrics, hip-hop bass lines and streetwise attitude, but with harder, uptempo Roland TR-909 techno-style kick beats. In 2007, contemporary hip-hop and R&B songs became more dance oriented, showing influences of Miami bass and techno, and are typically sped up to a "chipmunk" sound for faster tempos for dances such as juking, wu-tanging and bopping (usually only done in Miami-Dade, Broward and Palm Beach Counties in south Florida).[citation needed] Subgenres Miami bass has been influenced by the cultural history of its wide-ranging community with the evolution of Cuban, Dominican, and Afro-Brazilian-fused sub-genres that include Baltimore club and funk carioca.[11][12] Another subgenre of Miami bass is "car audio bass", which features an even more stripped down bass-heavy sound, tending to focus on either extremely hard 909 kicks combined with sine waves or the classic 808 kick, or sometimes simply the sine wave by itself.[citation needed] Some artist examples would be DJ Laz, DJ Magic Mike , Afro-Rican (as Power Supply), Techmaster P.E.B., DJ Billy E, Bass 305 and Bass Patrol

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