juditha arlou Un Official Fan Site Tribute

juditha arlou : This Is An Un Official Fan Site Tribute
Judith Arlou
Porn Queen Actress Superstar

Betty alternative title for Zweimal Paris, hin und zu Dritt Notes available (as Chantale Dubois or Katrin Schumann) Chaudes Baléares alternative title for Glühende Haut Notes available (plays Zouzou, a model) Chaudes Ecolières alternative title for Nasse Katzen Notes available Suppliers listed (plays Frau Frisch) Gejagte Sexmäuschen c. 1980 Notes available Giselas Liebesabenteuer in Rom 1982, Dir. Horst Riedel DVD available Notes available (as Judith Arlou, plays Beatrice)
Glühende Haut c. 1978 Notes available (plays Zouzou, a model) Miras Modekatzen 1970s Nasse Katzen c. 1979, Dir. Frank Hover (Jan Apfeld) Notes available Suppliers listed (plays Frau Frisch) Restaurant d'Amor 1970s Sexschule für liebestolle Töchter alternative title for Nasse Katzen DVD available Notes available Suppliers listed (plays Frau Frisch) Tanti centimetri di piacere Dir. Wolfgang Jarschke Teenager 3 alternative title for Teenagers 3 Notes available (includes Betty) Teenagers 3 c. 1995 Notes available (includes Betty)

Verena in Ekstase alternative title for Giselas Liebesabenteuer in Rom Notes available (as Judith Arlou, plays Beatrice) Verena in Wollust alternative title for Giselas Liebesabenteuer in Rom Notes available (as Judith Arlou, plays Beatrice) Verena la furia del sesso alternative title for Giselas Liebesabenteuer in Rom Notes available (as Judith Arlou, plays Beatrice) Zweimal Paris, hin und zu Dritt 1970s, Dir. Sascha Alexander Notes available (as Chantale Dubois or Katrin Schumann) The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel".[1] More specific examples of social problems that are addressed in such works include poverty, conditions in factories and mines, the plight of child labor, violence against women, rising criminality, and epidemics because of over-crowding, and poor sanitation in cities.[2] Terms like thesis novel, propaganda novel, industrial novel, working-class novel and problem novel are also used to describe this type of novel;[3] a recent development in this genre is the young adult problem novel. It is also referred to as the sociological novel. The social protest novel is a form of social novel which places an emphasis on the idea of social change, while the proletarian novel is a political form of the social protest novel which may emphasize revolution.[4] While early examples are found in 18th century England, social novels have been written throughout Europe and the United States. Contents 1 Britain 2 Europe 3 America 4 Proletarian novel 5 Young adult problem novel 6 Other social novels 7 See also 8 Notes 9 Further reading 10 External links Britain Manchester, England ("Cottonopolis"), pictured in 1840, showing the mass of factory chimneys Although this subgenre of the novel is usually seen as having its origins in the 19th century, there were precursors in the 18th century, like Amelia by Henry Fielding (1751), Things as They Are; or, The Adventures of Caleb Williams (1794) by William Godwin, The Adventures of Hugh Trevor (1794–1797) by Thomas Holcroft, and Nature and Art (1796) by Elizabeth Inchbald.[5] However, whereas Inchbald laid responsibility for social problems with the depravity and corruption of individuals, Godwin, in Caleb Williams, saw society's corruption as insurmountable.[6] In England during the 1830s and 1840s the social novel "arose out of the social and political upheavals which followed the Reform Act of 1832".[7] This was in many ways a reaction to rapid industrialization, and the social, political and economic issues associated with it, and was a means of commenting on abuses of government and industry and the suffering of the poor, who were not profiting from England's economic prosperity. These works were directed at the middle class to help create sympathy and promote change. It is also referred to as the "condition of England novel". The phrase, the "Condition of England Question", was used by Thomas Carlyle in "Chartism" (1839), and "Condition-of-England novels sought to engage directly with the contemporary social and political issues with a focus on the representation of class, gender, and labour relations, as well as on social unrest and the growing antagonism between the rich and the poor in England".[8] The Chartist movement was a working-class political reformist movement that sought universal male suffrage and other parliamentary reforms. Chartism failed as a parliamentary movement; however, five of the "Six Points" of Chartism would become a reality within a century of the group's formation. A significant early example of this genre is Sybil, or The Two Nations, a novel by Benjamin Disraeli. Published in the same year, 1845, as Friedrich Engels's The Condition of the Working Class in England in 1844, Sybil traces the plight of the working classes of England. Disraeli was interested in dealing with the horrific conditions in which the majority of England's working classes lived. The book is a roman à thèse, a novel with a thesis, which aimed to create a furor over the squalor that was plaguing England's working class cities. Disraeli's interest in this subject stemmed from his interest in the Chartist movement. Another early example of the social novel is Charles Kingsley's Alton Locke (1849), a work that set out to expose the social injustice suffered by workers in the clothing trade as well as the trials and tribulations of agricultural labourers. It also gives an insight into the Chartist campaign with which Kingsley was involved in the 1840s. Elizabeth Gaskell's first industrial novel Mary Barton (1848) deals with relations between employers and workers, but its narrative adopted the view of the working poor and describes the "misery and hateful passions caused by the love of pursuing wealth as well as the egoism, thoughtlessness and insensitivity of manufacturers".[9] In North and South (1854–55), her second industrial, or social novel, Elizabeth Gaskell returns to the precarious situation of workers and their relations with industrialists, focusing more on the thinking and perspective of the employers.[10] Shirley (1849), Charlotte Brontë's second published novel after Jane Eyre, is also a social novel. Set in Yorkshire in the period 1811–12, during the industrial depression resulting from the Napoleonic Wars and the War of 1812, the action in Shirley takes place against a backdrop of the Luddite uprisings in the Yorkshire textile industry

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