laurence thibault Un Official Fan Site Tribute

laurence thibault : This Is An Un Official Fan Site Tribute
laurence thibault
Porn Queen Actress Superstar

Arrête ! Tu me déchires 1977, Dir. Henri Sala as Ken Warren Notes available (plays an actress in the porn film) Brividi erotici di una minorenne alternative title for Partouzes du diable Notes available (plays Lolita) La Comtesse porno alternative title for La Marquise von Porno Notes available (plays the red-haired prisoner) Coppia morbosamente erotica alternative title for Arrête ! Tu me déchires Notes available (plays an actress in the porn film) Corps à corps 1976, Dir. Jean-Claude Roy as Patrick Aubin Notes available Suppliers listed (plays Chloé) Fais-moi tout 1977, Dir. Henri Sala as Ken Warren Notes available (girl by swimming pool) Fantaisies pour couples 1977, Dir. Jean Desvilles as Georges Fleury DVD available Notes available Suppliers listed (plays the pick up in the car) Frauen wollen Sex alternative title for Fantaisies pour couples DVD available Notes available Suppliers listed (plays the pick up in the car)
Ich will nur ficken alternative title for Profession: baiseuse DVD available Notes available (archive footage) Liebesnächte der heißen Puppen alternative title for Partouzes du diable Notes available (plays Lolita) La Marquise von Porno 1977, Dir. Claude Pierson as Carolyne Joyce Notes available (plays the red-haired prisoner) Massages porno alternative title for Massages pornographiques Notes available Massages pornographiques 1976, Dir. Georges Fleury Notes available Moglie in orgasmo alternative title for Fais-moi tout Notes available (girl by swimming pool) Muttchens Mösengestüt 1970s Notes available (plays a daughter) Mutti's Mösengestüt alternative title for Muttchens Mösengestüt Notes available (plays a daughter) Mädchenfantasien alternative title for Fais-moi tout Notes available (girl by swimming pool) The Nibblers alternative title for Parties raides Notes available (plays the red head at the office) Nicole par-dessus, par-dessous 1978, Dir. José Bénazéraf Notes available (archive footage)

Nymphoman alternative title for Profession: baiseuse Notes available (archive footage) Parties raides 1976, Dir. Jean Desvilles as Georges Fleury Notes available (plays the red head at the office) La Partouze du diable alternative title for Partouzes du diable Notes available (plays Lolita) Partouzes du diable 1976, Dir. Henri Sala as Ken Warren Notes available (plays Lolita) Les Perversions d'un couple "libéré" alternative title for Parties raides Notes available (plays the red head at the office) Les Perversions d'un couple libère alternative title for Parties raides DVD available Notes available (plays the red head at the office) Profession: baiseuse 1979, Dir. Jean Desvilles as Georges Fleury DVD available Notes available (archive footage) La Psychanalyse mène à tout alternative title for Profession: baiseuse Notes available (archive footage) Sex office N°3: la fugue alternative title for Partouzes du diable Notes available (plays Lolita) Sex Safari No. 1 alternative title for Arrête ! Tu me déchires Notes available (plays an actress in the porn film) Triebe bis zum letzten Tropfen alternative title for Fantaisies pour couples Notes available Suppliers listed (plays the pick up in the car) liturgical use after Constantine the Great.[2] The early churches of Rome were basilicas with an apisidal tribunal and used the same construction techniques of columns and timber roofing.[2] In the early 4th century Eusebius used the word basilica (Ancient Greek: ßas?????, romanized: basilik?) to refer to Christian churches; in subsequent centuries as before, the word basilica referred in Greek to the civic, non-ecclesiastical buildings, and only in rare exceptions to churches.[8] Churches were nonetheless basilican in form, with an apse or tribunal at the end of a nave with two or more aisles typical.[8] A narthex (sometimes with an exonarthex) or vestibule could be added to the entrance, together with an atrium, and the interior might have transepts, a pastophorion, and galleries, but the basic scheme with clerestory windows and a wooden truss roof remained the most typical church type until the 6th century.[8] The nave would be kept clear for liturgical processions by the clergy, with the laity in the galleries and aisles to either side.[8] At Constantinople the earliest basilica churches, like the 5th century basilica at the Monastery of Stoudios, were mostly equipped with a small cruciform crypt (Ancient Greek: ???pt?, romanized: krypt?, lit. 'hidden'), a space under the church floor beneath the altar. Typically, these crypts were accessed from the apse's interior, though not always, as at the 6th century Church of St John at the Hebdomon, where access was from outside the apse. At Thessaloniki, Roman bath where tradition held Demetrius of Thessaloniki had been martyred was subsumed beneath the 5th century basilica of Hagios Demetrios, forming a crypt. Three examples of a basilica discoperta or "hypaethral basilica" with no roof above the nave are inferred to have existed.[9] The 6th century Anonymous pilgrim of Piacenza described a "a basilica built with a quadriporticus, with the middle atrium uncovered" at Hebron, while at Pécs and near Salona two ruined 5th buildings of debated interpretation might have been either roofless basilica churches or simply courtyards with an exedra at the end.[9] An old theory by Ejnar Dyggve that these were the architectural intermediary between the Christian martyrium and the classical heröon is no longer credited.[9] The largest and oldest basilica churches in Egypt were at Pbow, a coenobitic monastery established by Pachomius the Great in 330.[10] The 4th century basilica was replaced by a large 4th century building (36 × 72 m) with five aisles and internal colonnades of pink granite columns and paved with limestone.[10] This monastery was the administrative centre of the Pachomian order where the monks would gather twice annually and whose library may have produced many surviving manuscripts of biblical, Gnostic, and other texts in Greek and Coptic.[10] In North Africa, late antique basilicas were often built on a doubled plan.[11] In the 5th century, basilicas with two apses, multiple aisles, and doubled churches were common, including examples respectively at Sufetula, Tipasa, and Djémila.[11] Generally, North African basilica churches' altars were in the nave and the main building medium was opus africanum of local stone, and spolia was infrequently used.[11] Nine basilica churches were built at Nea Anchialos, ancient Phthiotic Thebes (Ancient Greek: T??ßa? F???t?de?, romanized: ?h?bai Phthi?tides), which was in its heyday the primary port of Thessaly. The episcopal see was the three-aisled Basilica A, the Church of St Demetrius of Thessaloniki, and similar to the Church of the Acheiropoietos in Thessaloniki.[12] Its atrium perhaps had a pair of towers to either side and its construction dates to the late 5th/early 6th century.[12] The Elpidios Basilica - Basilica B - was of similar age, and the city was home to a large complex of ecclesiastical buildings including Basilica G, with its luxurious mosaic floors and a mid-6th century inscription proclaiming the patronage of the bishop Peter. Outside the defensive wall was Basilica D, a 7th century cemetery church.[12] At Stobi, (Ancient Greek: St?ß??, romanized: Stóboi) the capital from the late 4th century of the province of Macedonia II Salutaris, had numerous basilicas and six palaces in late antiquity.[13] The Old Basilica had two phases of geometric pavements, the second phase of which credited the bishop Eustathios as patron of the renovations. A newer episcopal basilica was built by the bishop Philip atop the remains of the earlier structure, and two further basilicas were within the walls.[13] The Central Basilica replaced a synagogue on a site razed in the late 5th century, and there was also a North Basilica and further basilicas without the walls.[13] Various mosaics and sculptural decorations have been found there, and while the city suffered from the Ostrogoths in 479 and an earthquake in 518, ceasing to be a major city thereafter, it remained a bishopric until the end of the 7th century and the Basilica of Philip had its templon restored in the 8th century.[13] The mid-6th century Bishop of Porec (Latin: Parens or Parentium; Ancient Greek: ???e????, romanized: Párenthos) replaced an earlier 4th century basilica with the magnificent Euphrasian Basilica in the style of contemporary basilicas at Ravenna.[14] Some column capitals were of marble from Greece identical to those in Basilica of San Vitale and must have been imported from the Byzantine centre along with the columns and some of the opus sectile.[14] There are conch mosaics in the basilica's three apses and the fine opus sectile on the central apse wall is "exceptionally well preserved".[14] After the 6th century, basilicas remained the most common type of small church in the East Roman Empire until the 15th century, but larger constructions from the 6th century tended to replace the timber roofed and hypostyle construction principles of the basilica, adding a tower or dome above the nave and employing masonry vaulting there or throughout.[8] Ruins of the 10th century Church of Achillius of Larissa, on the eponymous island of Agios Achilleios, Mikra Prespa. A typical basilica church.[15] In the 9th there was a renaissance in the construction of basilicas on the Balkan Peninsula, though not at Constantinople. Major new basilicas were built then: the basilica Church of the Anargyroi at Kastoria, the Hagia Sophia, Nicaea, and the First Bulgarian Empire's capital at Pliska.[8] Palace basilicas In the Roman Imperial period (after about 27 BC), a basilica for large audiences also became a feature in palaces. In the 3rd century of the Christian era, the governing elite appeared less frequently in the forums. They now tended to dominate their cities from opulent palaces and country villas, set a little apart from traditional centers of public life. Rather than retreats from public life, however, these residences were the forum made private.(Peter Brown, in Paul Veyne, 1987) Seated in the tribune of his basilica, the great man would meet his dependent clientes early every morning. Constantine's basilica at Trier, the Aula Palatina (AD 306), is still standing. A private basilica excavated at Bulla Regia (Tunisia), in the "House of the Hunt", dates from the first half of the 5th century. Its reception or audience hall is a long rectangular nave-like space, flanked by dependent rooms that mostly also open into one another, ending in a semi-circular apse, with matching transept spaces. Clustered columns emphasised the "crossing" of the two axes. Christian adoption of the basilica form See also: Christianised sites Structural elements of a gothic basilica. Variations: Where the roofs have a low slope, the triforium gallery may have own windows or may be missing In the 4th century, once the Imperial authorities had decriminalised Christianity with the 313 Edict of Milan, and with the activities of Constantine the Great and his mother Helena, Christians were prepared to build larger and more handsome edifices for worship than the furtive meeting-places (such as the Cenacle, cave-churches, house churches such as that of the martyrs John and Paul) they had been using. Architectural formulas for temples were unsuitable due to their pagan associations, and because pagan cult ceremonies and sacrifices occurred outdoors under the open sky in the sight of the gods, with the temple, housing the cult figures and the treasury, as a backdrop. The usable model at hand, when Constantine wanted to memorialise his imperial piety, was the familiar conventional architecture of the basilicas.[16] Floor plan of a Christian church of basilical form, with part of the transept shaded. Either the part of the nave lying to the west in the diagram or the choir may have a hall structure instead. The choir also may be aisleless. There were several variations of the basic plan of the secular basilica, always some kind of rectangular hall, but the one usually followed for churches had a central nave with one aisle at each side and an apse at one end opposite to the main door at the other end. In (and often also in front of) the apse was a raised platform, where the altar was placed, and from where the clergy officiated. In secular building this plan was more typically used for the smaller audience halls of the emperors, governors, and the very rich than for the great public basilicas functioning as law courts and other public purposes.[17] Constantine built a basilica of this type in his palace complex at Trier, later very easily adopted for use as a church. It is a long rectangle two storeys high, with ranks of arch-headed windows one above the other, without aisles (there was no mercantile exchange in this imperial basilica) and, at the far end beyond a huge arch, the apse in which Constantine held state. Comparison of cross sections of churches Basilica: The central nave extends to one or two storeys more than the lateral aisles, and it has upper windows. Pseudo-basilica (i. e. false basilica): The central nave extends to an additional storey, but it has no upper windows. Stepped hall: The vaults of the central nave begin a bit higher than those of the lateral aisles, but there is no additional storey. Hall church: All vaults are almost on the same level. Aisleless church with wallside pilasters, a barrel-vault and upper windows above lateral chapels Development Byzantine Basilica of Sant'Apollinare in Classe near Ravenna in Italy Putting an altar instead of the throne, as was done at Trier, made a church. Basilicas of this type were built in western Europe, Greece, Syria, Egypt, and Palestine, that is, at any early centre of Christianity. Good early examples of the architectural basilica include the Church of the Nativity at Bethlehem (6th century), the church of St Elias at Thessalonica (5th century), and the two great basilicas at Ravenna. The first basilicas with transepts were built under the orders of Emperor Constantine, both in Rome and in his "New Rome

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