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Bacchanales sexuelles alternative title for Tout le monde il en a deux DVD available (plays Une souris) Les Bachelières en chaleur 1982, Dir. Jean Luret as John Blackley Notes available (archive footage) Bachelières en folie alternative title for Les Bachelières en chaleur Notes available (archive footage) Bouches expertes alternative title for Les Bachelières en chaleur Notes available (archive footage) Le Bucheron loupe la branche alternative title for Le Journal érotique d'un bûcheron (in later hard insert) Caged Vampires alternative title for Requiem pour un vampire Notes available (plays Marie) Caged Virgins alternative title for Requiem pour un vampire Notes available (plays Marie) The Crazed Vampire alternative title for Requiem pour un vampire Notes available (plays Marie) Crazed Virgins alternative title for Requiem pour un vampire Notes available (plays Marie) Douce pénétration 1975, Dir. Jean Rollin as Michel Gentil Notes available Dungeon of Terror alternative title for Requiem pour un vampire Notes available (plays Marie)
Erotic Diary alternative title for Le Journal érotique d'un bûcheron (in later hard insert) Les Fantasmes d'lsabelle alternative title for Phantasmes Notes available French Kiss 1977/86, Dir. Georges Fleury and Pierre B. Reinhard Notes available Suppliers listed (from Introductions) Geile Notzucht alternative title for Phantasmes Notes available Geile Stories alternative title for Phantasmes Notes available Geile Träume alternative title for Phantasmes Notes available Gemelline in calore alternative title for Introductions DVD available Notes available Suppliers listed Gode Story alternative title for Douce pénétration Notes available Ikzal je pakken alternative title for Introductions Notes available Suppliers listed Introductions 1976, Dir. Jean Desvilles as Georges Fleury Notes available Suppliers listed Introductions alternative title for Douce pénétration Notes available Introduzione erotica alternative title for Introductions Notes available Suppliers listed Jouisseuse et perverse alternative title for Les Bachelières en chaleur Notes available (archive footage)

Le Journal érotique d'un bûcheron 1974, Dir. Jean-Marie Pallardy (in later hard insert) Lèvres de sang 1974, Dir. Jean Rollin Notes available (plays a vampire) Lips of Blood alternative title for Lèvres de sang DVD available Notes available (plays a vampire) Once Upon a Virgin alternative title for Phantasmes Notes available Orgasmi deliranti alternative title for Les Bachelières en chaleur Notes available (archive footage) Phantasme pornographique alternative title for Phantasmes Notes available Phantasmes 1975, Dir. Jean Rollin as Dale J. Martin Notes available Phantasmes alternative title for Douce pénétration Notes available Phantoms alternative title for Phantasmes Notes available Porno Kasteel alternative title for Phantasmes Notes available Het Pornokasteel alternative title for Phantasmes Notes available Requiem for a Vampire alternative title for Requiem pour un vampire Notes available (plays Marie) Réquiem por un Vampiro alternative title for Requiem pour un vampire DVD available Notes available (plays Marie) Requiem pour un vampire 1971, Dir. Jean Rollin Notes available (plays Marie) La Romancière lubrique alternative title for Douce pénétration Notes available Seduction of Amy alternative title for Phantasmes Notes available Sex Academy alternative title for Les Bachelières en chaleur Notes available (archive footage) Sex Vampires alternative title for Requiem pour un vampire Notes available (plays Marie) Sexfantasien alternative title for Phantasmes Notes available Suce-moi vampire 1975, Dir. Jean Rollin as Michel Gand Notes available (non-sex, plays a vampire) Suck Me Vampire alternative title for Suce-moi vampire Notes available (non-sex, plays a vampire) Tout le monde il en a deux 1974, Dir. Jean Rollin as Michel Gentil DVD available (plays Une souris) Vierges et vampires alternative title for Requiem pour un vampire Notes available (plays Marie) Virgins and the Vampires alternative title for Requiem pour un vampire Notes available (plays Marie) Virgins and Vampires alternative title for Requiem pour un vampire Notes available (plays Marie) Les Weekends d'un couple pervers alternative title for Introductions DVD available Notes available Suppliers listed tracery.[6] Tracery of this kind distinguishes Middle Pointed style from the simpler First Pointed.[6] Inside, the nave was divided into by regular bays, each covered by a quadripartite rib vaults.[19] In central Europe, the High Gothic style appeared in the Holy Roman Empire, first at Toul (1220–), whose Romanesque cathedral was rebuilt in the style of Rhiems Cathedral, then Trier's Liebfrauenkirche parish church (1228–), and then throughout the Reich, beginning with the Elisabethkirche at Marburg (1235–) and the cathedral at Metz (c.1235–).[19] Churches competed in height, with increasingly ambitious structures lifting the vault yet higher. Chartres Cathedral's 36 m was exceeded by Beauvais Cathedral's 48 m, but on account of the latter's collapse in 1248, no further attempt was made to build higher.[19] Rayonnant Gothic west front Strasbourg Cathedral (1276–) Rayonnant Gothic and Decorated Style See also: Rayonnant and Decorated Gothic Rayonnant Gothic maximised the coverage of stained glass windows such that the walls are effectively entirely glazed; notable examples are the nave at Saint-Denis (1231–) and the palatine chapel on the Île de la Cité in the Seine – the Sainte-Chapelle (c.1241–8).[19] The high and thin walls of French Rayonnant Gothic allowed by the flying buttresses enabled increasingly ambitious expanses of glass and decorated tracery, reinforced with ironwork.[19] This first 'international style' was reflected in the clerestory of Metz Cathedral (c.1245–), then Cologne's cathedral (c.1250–), and again in the nave of the cathedral at Strasbourg (c.1250–).[19] Masons elaborated a series of tracery patterns for windows – from the basic geometrical to the reticulated and the curvilinear - which had superseded the lancet window.[6] Bar-tracery of the curvilinear, flowing, and reticulated types distinguish Second Pointed style.[6] Decorated Gothic similarly sought to emphasise the windows, but excelled in the ornamentation of their tracery. Churches with features of this style include Westminster Abbey (1245–), the cathedrals at Lichfield (after 1257–) and Exeter (1275–), Bath Abbey (1298–), and the retro choir at Wells Cathedral (c.1320–).[19] The Rayonnant developed its second 'international style' with increasingly autonomous and sharp-edged tracery mouldings apparent in the cathedral at Clermont-Ferrand (1248–), the papal collegiate church at Troyes, Saint-Urbain (1262–), and the west façade of Strasbourg Cathedral (1276–).[19] By 1300, there were examples influenced by Strasbourg in the cathedrals of Limoges (1273–), Regensburg (c.1275–), and in the cathedral nave at York (1292–).[19] Flamboyant Gothic east end, Prague Cathedral (1344–) Perpendicular Gothic east end, Henry VII Chapel (c. 1503–12) Late Gothic: flamboyant and perpendicular See also: Flamboyant and Perpendicular (architecture) Central Europe began to lead the emergence of a new, international flamboyant style with the construction of a new cathedral at Prague (1344–) under the direction of Peter Parler.[19] This model of rich and variegated tracery and intricate reticulated rib-vaulting was definitive in the Late Gothic of continental Europe, emulated not only by the collegiate churches and cathedrals, but by urban parish churches which rivalled them in size and magnificence.[19] The minster at Ulm and other parish churches like the Heilig-Kreuz-Münster at Schwäbisch Gmünd (c.1320–), St Barbara's Church at Kutná Hora (1389–), and the Heilig-Geist-Kirche (1407–) and St Martin's Church (c.1385–) in Landshut are typical.[19] Use of ogees was especially common.[6] Sainte-Chapelle de Vincennes (1370s) The flamboyant style was characterised by the multiplication of the ribs of the vaults, with new purely decorative ribs, called tiercons and liernes, and additional diagonal ribs. One common

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