nathalie morin Un Official Fan Site Tribute

nathalie morin : This Is An Un Official Fan Site Tribute
nathalie morin
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Ambitious Model 1975 Best of Beate Uhse Nr. 6 Notes available (scene from Roulette) Boobs Voyeur 1974, Dir. Lasse Braun Brust oder Beule c. 1976, Dir. Charlie Brown Busen 1 DVD available Suppliers listed (? in loop retitled 'Wake Up Call'?) Color Climax Exciting Video 516 1980s (includes Ambitious Model) Donne in amore alternative title for Sex-Roulette DVD available Notes available Suppliers listed Les Friandises musclées alternative title for Hurlements de plaisir Notes available Hard Love - Le Porno adolescenti alternative title for Hurlements de plaisir Notes available Hurlements de plaisir 1976, Dir. Serge Korber as John Thomas Notes available J. B. 1 1975, Dir. José Bénazéraf
Joy alternative title for J. B. 1 Jungfrau aus 1.Hand 1976 Notes available Langues cochonnes alternative title for Sex-Roulette Notes available Suppliers listed Lesbian Love-In 1970s Mensch, bin ich geil! 1970s Mon corps a soif de désir alternative title for Sensations Notes available Suppliers listed (plays Roberta) Opera a luce rossa alternative title for J. B. 1 Polissonnes en vadrouille alternative title for Sensations Notes available Suppliers listed (plays Roberta) Porno roulette à Monte Carlo alternative title for Sex-Roulette Notes available Suppliers listed Porno show a Monte Carlo alternative title for Sex-Roulette Notes available Suppliers listed Porno Technique alternative title for J. B. 1

Ein Ritt zu Dritt c. 1976, Dir. Charlie Brown Roulette alternative title for Sex-Roulette DVD available Notes available Suppliers listed Sensations 1975, Dir. Lasse Braun DVD available Notes available Suppliers listed (plays Roberta) Sex Roulette alternative title for Sex-Roulette Notes available Suppliers listed Sex Roulette, Game of Pleasure alternative title for Sex-Roulette Notes available Suppliers listed Sex Story alternative title for Hurlements de plaisir Notes available Sex-Roulette 1977, Dir. Alan Vydra Notes available Suppliers listed Wake Up Call (solo masturbation) This we now call the Gothic manner of architecture (so the Italians called what was not after the Roman style) though the Goths were rather destroyers than builders; I think it should with more reason be called the Saracen style, for these people wanted neither arts nor learning: and after we in the west lost both, we borrowed again from them, out of their Arabic books, what they with great diligence had translated from the Greeks —?Christopher Wren, Report on St Paul's According to a 19th-century correspondent in the London journal Notes and Queries, Gothic was a derisive misnomer; the pointed arcs and architecture of the later Middle Ages was quite different to the rounded arches prevalent in late antiquity and the period of the Ostrogothic Kingdom in Italy: There can be no doubt that the term 'Gothic' as applied to pointed styles of ecclesiastical architecture was used at first contemptuously, and in derision, by those who were ambitious to imitate and revive the Grecian orders of architecture, after the revival of classical literature. But, without citing many authorities, such as Christopher Wren, and others, who lent their aid in depreciating the old mediaeval style, which they termed Gothic, as synonymous with every thing that was barbarous and rude, it may be sufficient to refer to the celebrated Treatise of Sir Henry Wotton, entitled The Elements of Architecture, ... printed in London so early as 1624. ... But it was a strange misapplication of the term to use it for the pointed style, in contradistinction to the circular, formerly called Saxon, now Norman, Romanesque, &c. These latter styles, like Lombardic, Italian, and the Byzantine, of course belong more to the Gothic period than the light and elegant structures of the pointed order which succeeded them.[14] Periods Architecture "became a leading form of artistic expression during the late Middle Ages".[2] Gothic architecture began in the earlier 12th century in northwest France and England and spread throughout Latin Europe in the 13th century; by 1300, a first "international style" of Gothic had developed, with common design features and formal language. A second "international style" emerged by 1400, alongside innovations in England and central Europe that produced both the perpendicular and flamboyant varieties. Typically, these typologies are identified as:[2] c.1130–c.1240 Early to High Gothic and Early English c.1240–c.1350 Rayonnant and Decorated Style c.1350–c.1500 Late Gothic: flamboyant and perpendicular Abbey church of Saint-Denis, west façade Nave of Sens Cathedral (1135-1176) Nave of Notre-Dame de Paris (1163-1345) History Early Gothic Early Gothic triple elevation Sens Cathedral Early English choir Canterbury Cathedral Norman architecture on either side of the English Channel developed in parallel towards Early Gothic.[2] Gothic features, such as the rib vault, had appeared in England and Normandy in the 11th century.[2] Rib-vaults were employed in the cathedral at Durham (1093–)[2] and in Lessay Abbey in Normandy (1098).[15] However, the first buildings to be considered fully Gothic are he royal funerary abbey of the French kings, the Abbey of Saint-Denis (1134–44), and the archiepiscopal cathedral at Sens (1143–63) They were the first buildings to systematically combine rib vaulting, buttresses, and pointed arches.[2] Most of the characteristics of later Early English were already present in the lower chevet of Saint-Denis.[1] Saint-Denis was the work of the Abbot Suger, a close adviser of Kings Louis VI and Louis VI. Suger reconstructed portions of the old Romanesque church with rib vault to make the walls thinner, and to bring in greater light through the new stained glass windows he put into place.[16] The first cathedral in France built entirely in the new style was Sens Cathedral, begun between 1135 and 1140 and consecrated in 1160.[17][18] One of the builders who is believed to have worked there, William of Sens, later travelled to England and became the architect who, between 1175 and 1180, reconstructed the choir of Canterbury Cathedral in the new Gothic style.[17] Sens Cathedral was influential in its strongly vertical appearance and in its three-part elevation, typical of subsequent Gothic buildings, with a clerestory at the top supported by a triforium, (not a gallery as in earlier buildings, except in England) all carried on high arcades of pointed arches.[19] In the following decades flying buttresses began to be used, allowing the construction of lighter, higher walls.[19] French Gothic churches were heavily influenced both by the ambulatory and side-chapels around the choir at Saint-Denis, and by the paired towers and triple doors on the western façade.[19] Sens was quickly followed by Senlis Cathedral (begun 1160), and Notre-Dame de Paris (begun 1160). Their builders abandoned the traditional plans and introduced the new Gothic elements. The builders of Notre-Dame went further by introducing the flying buttress, heavy columns of support outside the walls connected by arches to the walls, which received and counterbalanced the thrust from the rib vaults of the roof. This allowed the builders to construct higher walls and larger windows.[20] The Duchy of Normandy, part of the Angevin Empire until the 13th century, developed its own version of Gothic. One of these was the Norman chevet, a small apse or chapel attached to the choir at the east end of the church, which typically had a half-dome. The lantern tower was another common feature in Norman Gothic.[15] One example of early Norman Gothic is Bayeux Cathedral (1060–70) where the Romanesque cathedral nave and choir were rebuilt into the Gothic style. Lisieux Cathedral was begun in 1170.[21] Rouen Cathedral (begun 1185) was rebuilt from Romanesque to Gothic with distinct Norman features, including a lantern tower, deeply moulded decoration, and high pointed arcades.[22] Coutances Cathedral was remade into Gothic beginning about 1220. Its most distinctive feature is the octagonal lantern on the crossing of the transept, decorated with ornamental ribs, and surrounded by sixteen bays and sixteen lancet windows.[21] High Gothic flying buttresses Metz Cathedral High Gothic tower (right) Flamboyant Gothic tower (left) Chartres Cathedral High Gothic and Early English See also: High Gothic and Early English Gothic The Gothic style also appeared very early in England, carried by the Normans. The monk-historian William of Malmesbury wrote at the beginning of the 12th century, "you can see everywhere, in the churches in the cities and the monasteries in the villages and towns, being built a new type of construction and flourishing in a new modern style."[23] Durham Cathedral was the first cathedral to employ the rib vault, between 1093 and 1104.[24] After working on the early Gothic cathedral at Sens, the French master-builder William of Sens travelled to Canterbury to begin in 1175 a new Gothic choir for the archiepiscopal cathedral there.[19] Before the work was finished, he was badly injured by a fall from the scaffolding at Canterbury, and had to return to France, where he died.[25][26] William the Englishman replaced his French namesake in 1178; his tenure as architect of Canterbury Cathedral was marked by the emergence of Early English Gothic.[19] The cathedral churches of Worcester (1175–), Wells (c.1180–), Lincoln (1192–), and Salisbury (1220–) are all, with Canterbury, major examples.[19] Tiercerons – decorative vaulting ribs – seem first to be have been used in vaulting at Lincoln Cathedral, installed c.1200.[19] The cathedral of Chartres (1194–) was the first High Gothic cathedral, followed by those of Rheims (1210–), Amiens (1220–), and Beauvais (1225–).[19] Here, the whole surface of the clerestory was given over to windows; at Chartres plate tracery was employed, at Rheims Cathedral the bar-tracery was free-standing.[19] Lancet windows were supplanted by multiple lights separated by geometrical

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