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depending on the given free preview period, and may not be carried on all systems owned by a multiple system operator unless at the provider's discretion); HBO currently offers between three and five preview events each year to participating providers (which are normally scheduled to coincide with the premiere of a new or returning original series, and in the past, a high-profile special or feature film). The network also produces short segments promoting new movies with the cooperation of the film studios that hold releasing rights to the projects. These usually consist of either interstitial segments providing a behind-the-scenes look at the making of an upcoming/recently released film, with interviews with the actors and principal crew, or red carpet coverage, which are almost universally produced by studios with which HBO and Cinemax maintain exclusive premium television broadcast rights. Depending on their length or content, these are either aired as part of the feature segment HBO News (formerly titled HBO Entertainment News from 1988 to 2007), which airs during extended promotional breaks between programs and runs between three and five minutes, or as part of HBO First Look, a series of documentary-style interstitial specials (usually running 15 to 20 minutes in length, with no set schedule) that debuted in 1992. These segments, particularly episodes of First Look, have also often been included as bonus features on DVD and Blu-ray releases of the films that were profiled (many of which have aired on HBO and Cinemax once they reached their pay-cable distribution windows), though broadcasts of these interstitials have begun to be reduced to only a few episodes per year as HBO has focused on its higher-profile, long-form original programming instead and studios have internally produced behind-the-scenes featurettes for their films for exclusive physical and digital media release.[citation needed]
During the earlier years of the network, HBO aired various interstitial segments in-between films and other programming, originally billed as Something Short and Special. Around 1980, InterMissions, as the interstitials were now called, were bannered in two groupings: Video Jukebox, a showcase of music videos from various artists (these segments were eventually separated from the other intermission shorts and gained various longform spinoffs, also titled as Video Jukebox or variants thereof), and Special, which showcased short films. By 1984, the short segments had largely been reduced to comedic short films (originally named HBO Comedy Shorts and then as HBO Short Takes, which used a set of different animated intros) and HBO Shorts for Kids, comsisting of youth-targeted live action and animated short films seen largely before and during family-oriented programming. By the end of the 1980s, intermission shorts had largely vanished from the channel. During the "Executive Actions" symposium held by The Washington Post and George Washington University in April 2015 (shortly after the launch of the HBO Now streaming service), then-HBO CEO Richard Plepler said that he does not want the network to be akin to Netflix in which users "binge watch" its television shows and film content, saying "I don't think it would have been a great thing for HBO or our brand if that had been gobbled up in the first week[...] I think it was very exciting for the viewer to have that mystery held out for an extended period of time." Pleper cited that he feels that binge watching does not correlate with the culture of HBO and HBO watchers



Since the early 1980s, HBO has produced a variety of original programming, including dramatic and comedic series, in addition to its slate of theatrical films. Most of these programs are intended for adults (and, with limited exceptions, are typically assigned TV-MA ratings), often featuring—with such content varying by program—high amounts of profanity, violence, sexual themes and/or nudity that would be much more difficult to get on basic cable or over-the-air broadcast channels, because of objections from sponsors and the risk of them pulling or refusing to sell their advertising, depending on the objectionable material included in the program that the sponsor Is comfortable placing their advertising. (Incidentally since the early 2000s, some ad-supported basic cable channels—like FX and Comedy Central—have incorporated stronger profanity, somewhat more pervasive violence and sexual themes and/or occasional nudity in their original programs, similar to that included in original series on HBO and other premium services, with relatively limited advertiser issues.) Mainly because it is not beholden to the preferences of advertisers, HBO has long been regarded in the entertainment industry for letting program creators maintain full creative autonomy over their projects, allowing them to depict gritty subject matter that—prior to basic cable channels venturing into including similar content in their programming and the proliferation of streaming services also following the model set by HBO and other pay cable services—had not usually been shown on other television platforms. Some of its original programs, however, have been aimed at families or children, primarily those produced before 2001 (through its original programming division and third-party producers) and from 2016 to 2020 (under its agreement with Sesame Workshop), including Sesame Street, Babar, Happily Ever After: Fairy Tales for Every Child, Dear America and The Little Lulu Show. Beginning in 2001, most of the family- or kid-oriented programs migrated to HBO Family, with a limited amount of newer family-oriented series being produced for either the primary channel or HBO Family since. (HBO Family continued to maintain a limited slate of original children's programming until 2003.) In a notable example, HBO ventured back into children's programming with its acquisition of the first-run and streaming rights to Sesame Street, a long-running children's television series that had previously aired on PBS for the vast majority of its run, in the aforementioned deal with Sesame Workshop that was announced in August 2015; the migration of Sesame Street and other Sesame Workshop series from the linear television service to the streaming-based HBO Max in 2020, was agreed upon in a renewal of WarnerMedia's content agreement with the studio reached in October 2019.[73][77] Music programming is occasionally produced in the form of concert specials, featuring major recording artists performing in front of a live audience. One of HBO's first successful specials was The Bette Midler Show in 1976, which launched the Standing Room Only concert series. For a time in the early 1980s, HBO produced a concert special almost every other month, featuring major music stars such as Boy George and The Who. After MTV's successful rollout in 1981, the Standing Room Only series began to produce fewer concerts, but focused more on "world class" music events featuring artists such as Elton John, Tina Turner and Barbra Streisand, as well as fundraisers such as Farm Aid.[29] In recent years, concert specials have become less of a presence among HBO's television specials, having mainly been limited to an occasional marquee event or via the Rock and Roll Hall of Fame's annual induction ceremony. The channel also produces stand-up comedy specials—formerly broadcast under the On Location, HBO Comedy Hour and HBO Comedy Half-Hour banners—which usually premiere on select Saturday nights throughout the year in late prime time (typically following its Saturday movie premiere presentation).[citation needed] The On Location comedy specials, which presented a stand-up comedian's performance in its entirety and uncut, began in 1975 with a special starring Robert Klein. The first of twelve concert specials televised by the network featuring George Carlin aired on HBO in 1977 as part of On Location, featuring Carlin's first televised performance of his classic routine, "The Seven Words You Can Never Say on Television".[29] As other cable channels incorporated comedy specials due to their inexpensive format, HBO began to model its strategy with its comedy specials after its music programming, focusing on a few specials each year featuring popular comedians.[29] HBO also produces its own made-for-cable movies through HBO Films, which, since 2008, has maintained an exclusive pay cable rights agreement with HBO to broadcast the unit's in-house theatrical productions distributed by sister company Warner Bros. Pictures and its subsidiaries. HBO ventured into production of original television films in 1983, through the formation of HBO Premiere Films. Originally developed to produce original made-for-cable movies and miniseries with higher budgets and production values than other television films, The film division began producing original movies for the network in 1983 with the debut of The Terry Fox Story. Differing from most television films produced for cable television, most of the original movies produced by HBO have featured major film actors over the years, ranging from James Stewart to Michael Douglas. The unit—which would be rechristened HBO Pictures in 1985—expanded beyond its telefilm slate, which was scaled back to focus on independent film production in 1984.[177][178][179] HBO Films was formed in October 1999 through the consolidation of HBO Pictures and HBO NYC Productions (originally created as HBO Showcase in 1986, and in its restructured form, had also occasionally produced drama series for the network).[180][181] Movie library As of May 2020, HBO and sister channel Cinemax maintain exclusive first-run film licensing agreements with sister company Warner Bros. (including content from subsidiaries Warner Animation Group, New Line Cinema since 2005, and Castle Rock Entertainment),[182] 20th Century Studios since 1979 (including subsidiaries 20th Century Fox Animation, Blue Sky Studios, New Regency Productions, and Searchlight Pictures),[183] Universal Pictures since 2003 (including content from subsidiaries Universal Animation Studios, DreamWorks Animation, Working Title Films, Savoy Pictures, Illumination Entertainment and Focus Features),[184][185] Summit Entertainment since June 1, 2013,[186] and DreamWorks since 1996 (excluding films that DreamWorks co-produces in conjunction with Touchstone Pictures, with rights to live action co-productions by the two studios being held by Showtime).[187][188] The first-run film output agreement with Fox was renewed by HBO for ten years on August 15, 2012 (with a provision allowing


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