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Paris Porno 1976, Dir. Jacques Orth (Jack Régis) Notes available Requiem for a Vampire alternative title for Requiem pour un vampire Notes available (as Mireille d'Argent, plays Michèle) Réquiem por un Vampiro alternative title for Requiem pour un vampire DVD available Notes available (as Mireille d'Argent, plays Michèle) Requiem pour un vampire 1971, Dir. Jean Rollin Notes available (as Mireille d'Argent, plays Michèle) Sex Vampires alternative title for Requiem pour un vampire Notes available (as Mireille d'Argent, plays Michèle) Vierges et vampires alternative title for Requiem pour un vampire Notes available (as Mireille d'Argent, plays Michèle) Virgins and the Vampires alternative title for Requiem pour un vampire Notes available (as Mireille d'Argent, plays Michèle) Virgins and Vampires alternative title for Requiem pour un vampire Notes available (as Mireille d'Argent, plays Michèle)



more recent social novel is Richard Wright's 1940 novel Native Son. Wright's protest novel was an immediate best-seller, selling 250,000 hardcover copies within three weeks of its publication by the Book-of-the-Month Club on March 1, 1940. It was one of the earliest successful attempts to explain the racial divide in America in terms of the social conditions imposed on African-Americans by the dominant white society. It also made Wright the wealthiest black writer of his time and established him as a spokesperson for African-American issues, and the "father of Black American literature." As Irving Howe said in his 1963 essay "Black Boys and Native Sons," "The day Native Son appeared, American culture was changed forever. No matter how much qualifying the book might later need, it made impossible a repetition of the old lies [... and] brought out into the open, as no one ever had before, the hatred, fear, and violence that have crippled and may yet destroy our culture."[35] However, the book was criticized by some of Wright's fellow African-American writers. James Baldwin's 1949 essay Everybody's Protest Novel dismissed Native Son as protest fiction, and therefore limited in its understanding of human character and its artistic value.[36] James Baldwin's novels and plays fictionalize fundamental personal questions and dilemmas amid complex social and psychological pressures thwarting the equitable integration of not only blacks yet also of male homosexuals, depicting as well some internalized impediments to such individuals' quest for acceptance, namely in his second novel, Giovanni's Room (1956), written well before the equality of homosexuals was widely espoused in America.[37] Baldwin's best-known novel is his first, Go Tell It on the Mountain (1953). Proletarian novel The proletarian novel, according to the Encyclopædia Britannica comes out of the direct experience of working class life and "is essentially an intended device of revolution", while works by middle-class novelists, like William Godwin's Caleb Williams (1794) and Charles Dickens' Hard Times, though they are sympathetic to the hardships experienced by worker, "are more concerned with the imposition of reform from above than with revolution from within".[38] The Russian Maksim Gorky, is an example of a proletarian writer, however, in the Soviet Union the proletarian novel was doomed to disappear "in the form that Gorky knew, for it is the essence of the revolutionary novel to possess vitality and validity only when written under capitalist 'tyranny'".[39] But the proletarian novel has also been categorized without any emphasis on revolution, as a novel "about the working classes and working-class life; perhaps with the intention of making propaganda",[40] and this may reflect a difference between Russian, American and other traditions of working-class writing, with that of Britain (see below). The United States has had a number of working-class, socialist authors, such as Jack London, Upton Sinclair, and John Dos Passos. London wrote from a socialist viewpoint, which is evident in his novel The Iron Heel. Neither a theorist nor an intellectual socialist, London's socialism grew out of his life experience. As London explained in his essay, "How I Became a Socialist",[41] his views were influenced by his experience with people at the bottom of the social pit. His optimism and individualism faded, and he vowed never to do more hard physical work than necessary. He wrote that his individualism was hammered out of him, and he was politically reborn. He often closed his letters "Yours for the Revolution."[42] During the 1930s and 1940s Michael Gold (1894–1967) (the pen-name of Jewish American writer Itzok Isaac Granich) was considered the pre-eminent author and editor of U.S. proletarian literature. A lifelong communist, Gold was a novelist and literary critic. His semi-autobiographical novel Jews Without Money (1930) was a bestseller. Other American examples of the proletarian novel include Agnes Smedley's Daughter of Earth (1929), Robert Cantwell's Land of Plenty (1934), Albert Halper's The Foundry (1934) and Albert Maltz's The Underground Stream (1940); other writers include James T. Farrell, Josephine Herbst, Tillie Olsen, and Meridel Le Sueur. However, the British tradition of working class writing was not solely inspired by the Communist Party, as it also involved socialists and anarchists. Furthermore, writing about the British working class writers, H Gustav Klaus, in The Socialist Novel: Towards the Recovery of a Tradition, as long ago as 1982, suggested that "the once current [term] 'proletarian' is, internationally, on the retreat, while the competing concepts of 'working class' and 'socialist' continue to command about equal adherence".[43] The word proletarian is sometimes, however, used to describe works about the working class by actual working class authors, to distinguish them from works by middle class authors, like Charles Dickens's Hard Times and Henry Green's Living.[44] Walter Greenwood's Love on the Dole (1933) has been described as an "excellent example" of an English proletarian novel[45] It was written during the early 1930s as a response to the crisis of unemployment, which was being felt locally, nationally, and internationally. It is set in Hanky Park, an industrial slum in Salford, where Greenwood was born and brought up. The novel begins around the time of the General Strike of 1926, but its main action takes place in 1931. See also: Proletarian literature Young adult problem novel See also: Young adult fiction § Problem novels The young adult problem novel deals with an adolescent's first confrontation with a social, or personal problem.[46] The term was first used this way in the late 1960s with reference to contemporary works like The Outsiders, a coming-of-age novel by S. E. Hinton, first published in 1967. The adolescent problem novel is rather loosely defined. Rose Mary Honnold in The Teen Reader's Advisor defines them as dealing more with characters from lower-class families and their problems and as using "grittier", more realistic language, including dialects, profanity, and poor grammar, when it fits the character and setting. S. E. Hinton's The Outsiders (1967) and Paul Zindel's The Pigman (1968) are problem novels written specifically for teenagers. However, Sheila Egoff notes in Thursday's Child: Trends and Patterns in Contemporary Children's Literature that the Newbery Award winning novel It's Like This, Cat (1964) by Emily Cheney Neville may have established "the problem novel formula". Go Ask Alice (1971) is an early example of the subgenre and is often considered an example of the negative aspects of the form (although the author is "Anonymous", it is largely or wholly the work of its purported editor, Beatrice Sparks). A more recent example is Adam Rapp's The Buffalo Tree, 1997. Other social novels Robert Tressell banner Bleak House by Charles Dickens (1853) focuses on the corrupt, inefficient English legal system, and comments on the suffering of the poor. Little Dorrit by Charles Dickens (1857) is a work of satire on the shortcomings of the government and society of the period.[47] Felix Holt by George Eliot (1866) is a social novel written about political disputes in a small English town at the time of the First Reform Act of 1832. The Outpost by Boleslaw Prus (1886), written in a Poland that had been


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